This issue features a
selection fromВ Raga
Mala: The Autobiography of Ravi Shankar.В The
material was typed from the book and
appears nowhere else.В В В
The
followingВ Amazon review says
whatВ I would have said about the
beauty of the book'sВ design. The
book overflows with photographs and is
highlighted with gold: gold
endpages,В gold lettering for chapter
headings, and several gold pages within
the book.В В
"Raga Mala is the autobiography
of pandit Ravi Shankar, told in story,
profusely illustrated [some in color],
beautifully bound [with luxurious
endpapers], on high quality, beautiful
papers. It tells his story [introduced
by George Harrison] from his early
childhood, stage [as a dancer in his
brothers famous troupe] to his study of
sitar and Hindustani music with a
master[Khan], to his gradual emergence
in the west. I had no idea, that he had
performed at Carnegie hall in the
1930's, that John Coltrane's son Ravi
was named after him, or that he was well
known BEFORE the Monterey pop or
woodstock concerts [he called woodstock
"terrifying']. This is a wonderful book,
it tells the ENTIRE ARC of the life of
pandit Ravi Shankar [including his
apparent heir and pupil, his daughter
Anoushka], and does so with such a well
put together volume. The papers, the
binding, the photographic reproductions
are exquisite. The publisher has done a
remarkable job. A classic book, both in
form and content."В В В В
You
may order the book atВ http://www.amazon.com/gp/product/1566492173/ref=as_li_ss_tl?ie=UTF8&camp=1789&creative=390957&creativeASIN=1566492173&linkCode=as2&tag=nondualitysal-20
В В В В
В В В В
В
Our tradition
teaches us that sound is God ГвЂВ Nada
Brahma. That is, musical sound and
the musical experience are steps to the
realization of the self. We view music
as a kind of spiritual discipline that
raises oneГвЂs inner being to divine
peacefulness and bliss. We are taught
that one of the fundamental goals a
Hindu works toward in his lifetime is a
knowledge of the true meaning of the
universe Г†its unchanging, eternal
essence Г†and this is realized first
by a complete knowledge of oneГвЂs
self and oneГвЂs own nature. The
highest aim of our music is to reveal
the essence of the universe it reflects,
and the ragasВ are
among the means by which this essence
can be apprehended. Thus, through music,
one can reach God.В
Г†RaviВ Shankar
В
Being a Brahmin, I
learnt some mantras from gurus as a child,
and still repeat them in my mind as often
as I can today. I do firmly believe that
they have tremendous power. For a few
years in the late Fifties and early
Sixties, I regularly practiced hatha yoga,
but gradually the pace of my life made it
impossible to continue with it (although I
still maintain my regular morning
meditations, plus one before giving a
recital). Many times in my life I have
been attracted with great surges of love
and bhakti (reverence or devotion) to some
godly persons I have known, such as Tat
Baba, Ma Anandamayi, Satya Sai Baba and
the late Shankaracharya of Kanchi. Some I
never saw have also exerted a strong pull
on me, such as Ramakrishna Paramahansa,
Lahiri Mahasai, Trailange Swami, Babaji
and Swami Vivekananda. But in oneГвЂs
daily life and existence it is hard to
attain cosmic consciousness. Most of the
time the only self-realisation states one
is aware of are physical and mundane ones.
I am sure many of you have felt this too.
В
But MUSIC Г†that
is the thing for me! Mostly it has been
when deeply immersed in my music that I
have felt that surge of joy, merging into
the indefinable ГвЂdrunken with
beautyÆmoment. Especially when I
become attuned to my sitar, that is the
route for me to touch the heart and the
God within myself, and within my millions
of listeners over the years.
В
The spiritual
element in Indian music is absolutely
essential. From the very beginning our
music was handed down by the yogis, and
musicians were invariably great saintly
people, leading a very religious life.
Many of the old songs were philosophical
and devotional in nature, written in
praise of our gods like Shiva, Vishnu,
Ganesha and Saraswati, and the most
popular character in the songs,В
Krishna , who is treated more like a human
being, going through all the different
phases of life. He is loved not only for
his miraculous feats but for his childhood
pranks, his adventures with his friends as
he is growing up, his flirting and
erotically-charged encounters with the
gopis (milkmaids), and then his great
teachings to Arjuna on the battlefield of
Kurukshetra which constitutes the Bhagavad
Gita. Our songs and poetry
beautifully convey his charm and
eroticism, and tell of his pranks and
special love for Radha. Having in my
childhood all this background and the
whole atmosphere of priestly living (as a
Brahmin), I could grasp and feel the
spirituality in music much more quickly
than most.
В
Sometimes I feel
blindfolded, completely susceptible to
spiritual atmosphere and prepared to
believe whatever I am told, like a simple
village person. Whenever I visit Balaji,
the temple to Lord Venkateshwar in the
South Indian state of Andhra Pradesh, my
heart is thrown completely open to the
power of the spiritual forces that seem to
be present. I feel the same innocent
openness when I think of Saraswati,В
Krishna , Buddha or Jesus Christ, or when
I go to church, synagogue or House of God
of any other religion. That blind faith is
part of my tradition. It is in my heart
and mind. I know I am someone who likes
and often needs to depend on someone or
something.
В
But then at times I
ask myself why I should depend on anyone.
God is in me, not in these figures. These
are supports which are there for when we
need them; true religious experience is to
be found in oneГвЂs own heart. This
comes back to the age-old philosophical
questions: Who am I? Where did I come
from? Where am I going? I believe I am
both the atman (soul) and the paramatman
(supersoul). Within me there is both the
seeker and the one I seek.
В
Meeting
George Harrison
В
I met George
Harrison for the first time in June 1966,
one evening in a friendГвЂs house inВ London
. At that time, although I had heard of
The Beatles, I knew only that they were an
extremely popular group. Something clicked
from the very beginning with George. The
other three I met on different occasions
through the years, and Ringo especially
was very warm and friendly, but I never
really had anything much to do with any of
them.
В
From the moment we
met George was asking questions, and I
felt he was genuinely interested in Indian
music and religion. He appeared to be a
sweet, straightforward young man. I said I
had been told he used the sitar, although
I had not heard the song Г“Norwegian
Wood.Г” He seemed quite embarrassed,
and it transpired that he had only had a
few sittings with an Indian chap who was
in London (a student of the late Motiram,
my disciple in Delhi) to see how the
instrument should be held and to learn the
basics of playing. Г“Norwegian
WoodГ” was supposedly causing so much
brouhaha, but when I eventually heard the
song I thought it was a strange sound that
had been produced on the sitar! As a
result, though, young fans of The Beatles
everywhere had become fascinated by the
instrument.
В
Then George
expressed his desire to learn the sitar
from me. I told him that to play sitar is
like learning Western classical music on
the violin or cello. It is not merely a
matter of learning how to hold the
instrument and play a few strokes and
chords, after which (with sufficient
talent) you can prosper on your own, as is
common with the guitar in Western pop
music. I told him this nicely, getting him
to understand the seriousness of Indian
music.
В
I said, Г“I have
given so many years of my life to sitar,
and by GodГвЂs grace I have become very
well known Г†but still I know in my
heart of hearts that I have a long way to
go. ThereГвЂs no end to it. It is not
only the technical mastery of the sitar
Г†you have to learn the whole complex
system of music properly and get deeply
into it. Moreover itГвЂs not just fixed
pieces that you play Г†there is
improvisation. And those improvisations
are not just letting yourself go, as in
jazz Г†you have to adhere to the
discipline of the ragas and the talas
without any notation in front of you.
Being an oral tradition, it takes many
more years.
В
Г“And there is
more to it than exciting the senses of the
listeners with virtuosity and loud
crash-bang effects. My goal has always
been to take the audience along with me
deep inside, as in meditation, to feel the
sweet pain of trying to reach out for the
supreme, to bring tears to the eyes, and
to feel totally peaceful and
cleansed.Г”
В
Then I asked him if
he could give time and total energy to
work hard on it. He said he would do his
best, and we arranged a date then and
there. It was not practical for him to
come to my hotel, so he invited me to
visit his house inВ
EsherВ soon
afterwards. I went twice within a week or
so. Initially I gave him some basic
instruction Г†how to hold the sitar
properly, the correct fingering for both
hands, and some exercises. I also wrote
down the names of all the notes in the
sargam (the Indian solfeggio) to make him
familiar with them. That was all. We fixed
it that he would come toВ
IndiaВ for
a couple of months to learn in more depth.
В
I felt
strongly that there was a beautiful soul
in him, and recognized one quality which
I always have valued enormously and
which is considered the principal one in
our culture Г†humility. Considering
that he was so famous Г†part of the
most popular group in the world ever!
Г†he was nevertheless quite humble,
with a childlike quality which he has
retained to this day.
В
George
Harrison writes:В
RaviВ was
very friendly and easy to communicate
with. By this time The Beatles had met
so many people Г†prime ministers,
celebrities, royalty Г†but I got to
a point where I thought, Г“IГвЂd
like to meet somebody who could really
impress me.Г” And that was when I metВ Ravi .
He was the first person who impressed me
in a way that was beyond just being a
famous celebrity.В
RaviВ was
my link into the Vedic world.В
RaviВ plugged
me into the whole of Reality. I mean, I
met Elvis Г†Elvis impressed me when
I was a kid, and impressed me when I met
him because of the buzz of meeting Elvis
Г†but you couldnГвЂt later on go
round to him and say, Г“Elvis,
whatГвЂs happening in the
universe?Г”
В
RaviВ came
to my house inВ
Esher , and then he had arranged that we
should sit in the afternoon for an hour
or two, and he showed me how to get
started on the sitar. After that
heГвЂd arranged for Alla Rakha to
come, and they were going to give a
little concert, so John and Ringo came,
and they played for us for an hour and a
half. It was really nice.
В
The moment we
started, the feelings I got were of his
patience, compassion and humility. The
fact that he could do one of his five-hour
concerts, but at the same time he could
sit down and teach somebody from scratch
the very basics: how to hold the sitar,
how to sit in the correct position, how to
wear the pick on your finger, how to begin
playing. We did that and he started me
going on the scales. And he enjoyed it
Г†he wasnГвЂt grudging at all, and
he wasnГвЂt flash about it either.
В
One thing he said
was, Г“Do you read music?Г” I said,
Г“No,Г” and my heart sank Г†IВ В thought,
Г“I probably donГвЂt even deserve to
waste his time.Г” But he said,
Г“Good Г†it will only confuse you
anyway.Г”
...
RaviВ also
gave me the book Г“Autobiography of a
Yogi.Г” The moment I looked at that
picture of Yogananda on the front of the
book, his eyes went right through me and
zapped me, and to this day I have been
under the spell of Yogananda. ItГвЂs a
fantastic great truth.
В
When we were on the
houseboat inВ
Kashmir , owned by a little old guy with a
white beard called Mr. Butt, it was really
cold in the night because it was on a lake
right up in theВ
Himalayas . Mr. Butt would wake us up
early in the morning and give us tea and
biscuits and IГвЂd sit in bed with my
scarf and pullover on, listening toВ
Ravi , who would be in the next little
room doing his sitar practice Г†that
was such a privileged position to be in.
В
What IГвЂm getting
at is that pure essence ofВ
India . You could easily be diverted inВ IndiaВ by the
smell or the dirt or the poverty, but I
was fortunate to haveВ
RaviВ as
my friend. The Indians I saw were the ones
who got up early in the morning, had a
bath and put their clean doti on, did
their prayers, and then practiced their
music for a couple of hours before they
had their breakfast. The ones who had all
the respect for the past. The temples and
the incense and the music, the whole thing
Г†it was like I got the privileged
tour. All the people I met were the best
musicians, and I didnГвЂt have to go
through the rubbish to find the gems. That
in itself was worth a few years of saved
time. And thatГвЂs what a guru is,
anyway Г†the word Г“guruГ” means
Г“dispeller of darkness.Г”