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#4154- Friday, February 4, 2011 - Editor: Jerry Katz
The Nonduality Highlights - http://groups.yahoo.com/group/NDhighlights
Nondual Consciousness in Shakespeare's King Lear
by James Traverse
Shakespeare [or Bacon] intuited nondual consciousness, as his works demonstrate that he had a profound understanding of the human condition.
I feel that King Lear is Shakespeare's greatest work because it
is about Love which is nondual consciousness by another name. I
especially appreciate the role of the Fool in King Lear and his
use of the word 'nothing' throughout the play. The whole play is
the tragedy of a king who suffers the greatest tragedy because he
mistakes flattery for Love and allows his actions to be governed
by this false understanding.
The question that the play
presents is, 'Who is truly the Fool as determined by his/her
behaviour?' Is it Cordelia, King Lear or his Fool? - the art and
beauty of this play is the process of engaging the audience in
experientially answering this question as the play unfolds... and
as that happens we see that Cordelia, who is the only daughter
who truly loved her father, understood that 'nothing' could be
said to communicate her love, and we also see that Cordelia and
the character playing 'the Fool' never appear on stage at the
same time [historians say that the same actor sometimes played
both roles]... at the end of the play when Cordelia has been
hanged and Lear is holding her dead body in his arms, he declares
that 'my poor fool is dead' [here's the quote: in the last scene
of the play Lear says, "And my poore Foole is hang'd: no,
no, no life?..." - then he dies] ....
In this light Lear is the true fool for mistaking flattery for
Love and in addition to Cordelia as 'the fool' that he is holding
in his arms, he also sees himself as 'the fool' for not having
seen clearly up to this point - thus he as 'the fool' is also
dead; having been killed by the light of 'Right Understanding'.
The character called 'the Fool' in the play is anything but a
fool as he sees clearly and he is the only person who can, and
does, openly speak the truth to the king... and essentially what
he says is that if one does not truthfully understand Love, then
you behave like a fool, your life and actions amount to 'nothing'
even if you happen to hold the seat of the highest power and
human authority as 'the king'. The play tells the story of
nature as:
1) the nature of Love [one's true nature]
2) human nature
3) nature [as in Mother Nature]
4) the tragic nature of being when true nature is not understood
A highly significant point is a notable character absence
in King Lear. There are the father characters of Lear and
Gloucester together with Lear's daughters and Gloucester's sons
yet there is no mother character. That missing character is
present as Mother Nature and Lear's [and other character's]
relationship with nature [Lear in the storm and the wanderings
through nature of key characters]...
This representation of Presence via Absence is a masterful means
of speaking the unspeakable as it is a situation wherein Silence
speaks. I feel that this is the feeling space of the play
and that in addition to the missing character being present as
'Mother Nature' that we, the audience, play the role of the
mother character because the play speaks to our true
nature. We are moved to be passionately [motherly] involved
because we know that authentic Love is available, yet what we
witness is the extremes of cruelty, deception, suffering and the
ultimate tragedy of a king, a human being, who is a fool that
does not understand true 'nature'.
In this light the play is an exquisite portrayal of
Nonduality/Love as this art work facilitates an experiential
understanding of the true nature of being and the horrific and
tragic consequences of lacking this understanding.
To render the play as a masterpiece of Nonduality - substitute
the term 'nondual consciousness' for 'Love'.
~ ~ ~
James Traverse's website is http://beingyoga.com.